Architecture or Appropriation? Nana Akua Addo Dismisses “Design Theft” Claims Over Viral Cathedral Gown

The 12th AMVCA red carpet in Lagos was transformed into a theatrical runway as Nana Akua Addo unveiled three ambitious couture statements, headlined by an architectural gown inspired by Germany’s Cologne Cathedral. However, the “wow” factor has been followed by a “who owns it?” controversy that is currently trending across the continent.

The “Blatant Theft” Allegation

Paris-based fashion house ALmee Couture has publicly called out the actress, alleging that she “stole” the artistic vision and structural blueprints for the cathedral dress. The designer claims they were the original team contracted for the project and that they developed the sketches and couture direction before a refund was issued. ALmee Couture insists that despite the refund, the intellectual property—including the specific gothic spires and sculptural arches—remains theirs.

Nana Akua’s Rebuttal: “My Mood Board, My Property”

The fashion risk-taker has not stayed silent. In a detailed response, Addo clarified that the partnership with ALmee Couture ended because the designer was unwilling or unable to execute the complex, high-detail vision she demanded.

• The Creative Defense: Addo asserts that the entire concept, inspired by the Cologne Cathedral, and the original mood boards were her personal intellectual property.

   

• The Final Execution: The gown seen on the red carpet was ultimately crafted by Abasswoman, who reportedly spent six months (starting in November 2025) bringing the 3D-sculpted cathedral to life.

   

A Night of Three Masterpieces

Despite the controversy, Addo’s three-look strategy was a masterclass in performance art:

1. The Cathedral: A strapless gown featuring miniature gothic spires and arches.

    

2. The Living Stone: A geological-inspired piece constructed from layered fragments to resemble cracked earth.

    

3. The Sea Life: An aquatic creation by Indian designer Srushti Patil featuring scale-like panels and a beaded fish handbag.

    

As the debate over creative ownership rages on, one thing is clear: Nana Akua Addo no longer just attends events; she curates cultural moments that dominate the news cycle.